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L’ELISIR D’AMORE de Donizetti : Chœurs Partie 1/17 Acte 1 : Coro d’introduzione - BASSE

Papibois

2:13	Est. Play Time
75	Measures
	1,171Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	64	8	5	100%
	21	21	1	3	100%
Tenor 1	13	0	2	4	92%
Tenor 2	15	0	4	4	92%
Soprano 1	16	0	6	4	87%
Basse	10	1	2	4	87%
Soprano 2	13	0	4	4	87%
Gianetta	9	0	0	4	55%

Che farò senza Euridice? — C. W. Gluck, “Orfeo ed Euridice”

Alexander Evstyugov-Babaev

3:17	Est. Play Time
67	Measures
	1,227Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
4 Violini I	20	1	5	5	100%
2 Viole	15	0	4	4	99%
4 Violini II	14	2	2	4	99%
Cembalo	18	45	5	3	98%
	17	0	3	3	97%
2 Celli e Contrabasso	17	0	3	3	97%
Contrabasso	17	0	3	3	97%
Orfeo	15	0	4	6	82%
Effetti MIDI	7	1	1	2	4%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 2/17 Acte 1 : Coro d’introduzione N°2 - BASSE

Papibois

1:14	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	43	7	5	100%
	24	28	4	4	98%
Tenor 1	13	0	2	4	93%
Tenor 2	13	0	3	4	93%
Soprano 1	15	0	5	4	89%
Soprano 2	16	0	4	4	89%
Basse	10	1	2	4	87%
Gianetta	11	0	0	4	76%
Nemorino	11	0	2	4	70%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	1	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

Verdi, Rigoletto: Act 2 - Parmi veder le lagrime

Mélisande

4:35	Est. Play Time
88	Measures
	2,392Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons	23	12	8	8	89%
	35	12	15	10	89%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violons	23	12	8	8	89%
	35	12	15	10	89%
Altos, Violas	22	15	9	8	89%
Contrebasses	21	0	10	9	89%
Violoncelles	21	0	10	9	89%
Duc	19	0	9	15	70%
Hautbois	14	3	3	6	22%
Basson	12	9	2	5	18%
Clarinette Basse	11	2	2	6	18%
Flûte	7	0	1	6	5%

HWV1A1 - Leset ihr funkelnden Augen

edward.maurath

1:51	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	15	23	4	4	86%
	22	28	4	2	100%
Bassoon Continuo	19	0	4	2	62%
	14	1	2	2	57%
Bass as Consalvo	13	0	4	4	60%
Violin 1	12	0	0	4	57%
Violin 2	12	0	2	2	57%
Violoncello Continuoi	14	1	2	2	57%

TRAVIATA de Verdi : Chœurs Partie 10/10 Baccanale

Papibois

0:48	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	20	11	5	6	89%
	18	8	2	4	86%
Bass	11	1	2	5	100%
Soprano 1	14	0	2	5	100%
Soprano 2	13	0	3	5	100%
Tenor 1	14	0	2	5	100%
Tenor 2	13	0	3	5	100%

HWV19N9 - Sinfonia in g minor

edward.maurath

1:00	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	7	3	3	89%
	16	2	2	5	100%
Bassoon Continuo	16	0	2	5	100%
Contrabass Continuo	16	0	2	5	100%
Viola	12	0	1	5	100%
Violoncello Continuo	16	0	2	5	100%
Vln 1	14	0	3	8	100%
Vln 2	13	0	3	7	100%
Oboe	19	0	5	8	94%

HWV1A2N26 - Svenerò chi fa guerra a questo cor

edward.maurath

1:23	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	16	23	3	3	100%
	17	2	2	4	100%
Violoncello Continuo	16	0	2	4	100%
Violone Continuo	16	0	2	4	100%
Tenor as Osman	12	0	1	5	89%

HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco

edward.maurath

0:57	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
Mirtillo	11	0	3	3	100%
Violoncello	10	0	2	3	100%

HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)

edward.maurath

0:57	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	18	4	3	100%
	11	1	2	3	100%
Mirtillo	11	0	3	3	100%
Violoncello	10	0	2	3	100%

J.W. Goethe - Faust I (Ouvertüre)

Pretasoc

12:56	Est. Play Time
278	Measures
	5,829Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	24	0	2	8	79%
Violoncellos	15	2	2	8	66%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1	24	0	2	8	79%
Violoncellos	15	2	2	8	66%
Violins 2	17	0	0	7	65%
Violas	18	0	1	6	62%
Contrabass	16	0	2	8	51%
Flute	18	0	3	10	46%
Oboe	16	0	2	9	43%
C Trumpet	21	0	2	8	38%
Bass Clarinet	14	0	1	7	35%
Piccolo	13	0	1	9	29%
C Tuba	14	0	1	7	28%
Soprano	13	0	0	6	27%
B Clarinet	17	0	3	7	27%
Bassoon	12	0	1	8	27%
English Horn	13	0	0	7	25%
Alto	9	0	0	5	24%
Tenor	14	0	0	6	24%
Trombone	15	0	0	8	24%
Bass	10	0	0	5	22%
Violin	22	0	1	8	18%
Timpani	6	0	1	6	10%
Mephistoles	5	0	0	5	2%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Siegfried Akt 2: Siegfried vs Fafner in Full score.

Jamie Holdham

1:38	Est. Play Time
48	Measures
	1,629Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
3 Fagotti.	25	12	13	5	94%
Bass Trombone	26	0	14	5	94%
Bass-Tuba. (in C.)	19	0	9	5	94%
Contrabasse Posaunen.	24	0	13	5	94%
Contrabasse Tuben.	26	0	13	5	94%
Bassclarinetten.	18	0	7	5	88%
BRATSCHEN.	24	14	9	5	85%
Violoncelle.	31	5	14	6	83%
Contrabasse.	22	3	10	7	81%
I. Violinen. II.	27	4	11	6	75%
Bass-Tuba. (in B.)	28	0	12	4	75%
Violins	27	4	11	6	75%
Horner. (in F.)	16	2	5	5	70%
Horn in F	15	2	5	5	70%
F Trumpet	2	0	1	4	13%
	12	0	1	6	65%
Tenor-Tuba. (in Es.)	21	1	9	4	63%
Clarinetten. (in Bb.)	13	4	5	5	61%
B♭ Clarinet	27	3	11	5	57%
(2 Tenor.) 3 Posaunen. (1 Basse.)	14	0	4	6	54%
Tenor Trombone	15	0	4	6	54%
3 Hoboen.	13	6	4	5	54%
2 Trompetten. (in F.)	14	1	2	5	52%
Oboe	16	4	6	5	51%
Englishes Horner.	16	0	6	5	50%
Bass Trompeten. (in D.)	9	0	3	6	38%
Flute	4	2	2	3	24%
3 Floten.	6	0	2	4	19%
Timpani	3	0	1	4	15%
2 Pauken.	3	0	1	4	10%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Wagner - Parsifal Vorspiel to Akt 2 Klingsor's Zauberschloss. {Professional production full score.}

Jamie Holdham

2:33	Est. Play Time
68	Measures
	1,795Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
VIOLONCELLE..	29	0	15	7	89%
BRATSCHEN.	27	4	11	8	88%
CONTRABASSE.	28	0	13	6	84%
Bassoon	8	1	2	4	20%
	27	9	12	7	73%
E Horn	22	5	9	7	73%
Violoncellos	25	0	10	6	71%
3 POSAUNEN.	15	6	8	7	71%
4 HORNER.	20	5	9	6	68%
BASSCLARINETTE. (A)	24	0	8	7	65%
Violins	35	1	16	8	65%
2 CLARINETTEN. (A)	35	2	13	8	62%
1. VIOLINEN. 2.	34	1	15	8	59%
CONTRAFAGOTT.	16	0	9	6	59%
HOBOEN.	17	4	7	5	54%
3 FAGOTTE.	21	4	8	7	48%
ALTHOBOE.	19	0	7	6	47%
A Clarinet	14	3	5	5	47%
BASSTUBE.	16	0	8	6	44%
Trombone	11	0	5	6	44%
Oboe	12	0	6	5	38%
FLOTEN.	15	1	7	6	35%
TROMPETTEN. (F)	14	0	8	6	28%
F Trumpet	11	0	6	7	17%
Flute	8	0	3	5	17%
Contrabasses	20	0	8	4	12%
Pauken.	1	0	0	1	6%

Die Miestersinger von Nurnberg Overture to Akt 3. {Professional production full score.}

Jamie Holdham

7:37	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	33	0	9	8	57%
Violins	26	0	9	8	55%
2 Fagotte.	17	0	3	6	43%
Bassoon	15	0	4	8	35%
Hr.3 in D.	15	0	2	6	33%
Hr.2 in D.	12	0	2	6	30%
Hr.1 in D.	12	0	1	5	30%
Hr.4 in D.	14	0	2	5	29%
Contrabass.	14	1	4	5	28%
2 Clarinetten. (in A.)	15	0	2	6	22%
3 POSAUNEN.	11	4	1	5	16%
Hoboen.	8	0	0	4	9%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
BASS.TUBA.	7	0	2	3	6%